Another project in the third week of the Creative Chemistry series in Online Card Classes took us back to Distress Markers. We colored onto the stamps with a variety of colors of Distress Markers. We “huffed” a nice puff of warm air on the colored stamp, stamped the image onto the paper and then heat set it. After it was dry, we inked over the entire tag using a variety of Distress Ink and a blending tool. To finish it off, we spritzed the tag with water, blotted off any excess and heat set it until it was dry.
I love the contrast of the splashes against the ink.
In the third week of the Creative Chemistry series in Online Card Classes we started to explore Distress Stains. We applied the stain to the wet tag, blending the colors. While we were heat setting the stain, we were spritzing the tag with water to capture the effect of the ink reacting to the water. We inked around the edge of the tag and then went to work with the stamps. For the text, I used Picket Fence Distress Stain and heat set it. On top of that I stamped the butterfly image using Jet Black Archival ink.
Check out this cool project from the second week of the Creative Chemistry series online class. You can check it out at Online Card Classes. To make our custom stamp pads, we used Ranger’s Cut n’ Dry Felt. We stamped our image on the fabric side of the felt and then applied the ink directly on to the image where we wanted the color to appear. (This is the same ink you would use to re-ink a Distress stamp pad.) We then placed the stamp on it to ink it up and stamped our image onto the surface. Now I have a custom colored stamp pad for this image to use over and over again.
This turned out better than I expected and got me thinking about making some custom colors to put in my custom stamps!
Some of my favorite pieces to create are abstract inks. This piece was done with Copic Various Ink on synthetic Yupo paper. The Copic ink is alcohol based and comes in 358 colors. The Yupo paper resembles glossy paper and comes in white and translucent. For this piece I used the smooth white Yupo. I started with a base layer of Copic colors in the blue violet color family and after they base thoroughly dried I went back and added ink from the fluorescent family. Can you see which ones?
I don’t know if my favorite part of this piece is the patterns around the edge or the deep pool in the middle.
A new project from the second week of the Creative Chemistry series online class. You can check it out at Online Card Classes. For this project, we first stamped images onto watercolor paper. To color them we used Distress Markers. The top image was colored with markers on dry paper and then blended with a water brush; the middle image was colored with markers on wet paper; the bottom image was colored on wet paper, dried, and then more colored marker was added on top of that.
It is great to be able to get so much detail together with the watercolor wash.
Below is another project from the second week of the Creative Chemistry series online class. You can check it out at Online Card Classes. For this project, we sprayed ink and used a stencil for this really cool effect. I loved how it came out so I had to do it twice!
The way the water mixes with the ink makes it look water damaged but the bright fresh colors give away its newness. Such a fun looking contradiction!
Below is a project from the second week of the Creative Chemistry series online class. You can check it out at Online Card Classes. For this project, we stamped an image onto watercolor paper. To color it, we used the ink refills or re-inkers for the Distress stamp pads and a watercolor brush.
I really love the way the ink reacts to the to the water and gives you the vibrant and unexpected blends.
Below is my my third project from the first week of the Creative Chemistry series online class. You can check it out at Online Card Classes. Unlike the previous projects (here and here), this uses stamps for the images, finished off with an extremely worn bottom edge.
Can’t wait for next week!
Below is my my second project from the first week of the Creative Chemistry series online class. You can check it out at Online Card Classes. This project uses the same materials as yesterday’s post applied in a different way.
Thanks for stopping by!
I’ve always loved the look of the Tim Holtz Distress Inks by Ranger. They have a vintage feel but at the same time are very bright and fresh. Other than how they looked, I didn’t know anything about them. This summer, Online Card Classes and Tim Holtz are offering a great opportunity to get to know the Distress Ink products and how and why they work the way they do in their Creative Chemistry series. Creative Chemistry debuted in 2012 with Creative Chemistry 101 and then 102. This summer, they are re-releasing 101 in June, 102 in July and offering a new 103 Course in August. In these courses, Tim explains the properties of the inks and materials and then demonstrates different techniques that illustrate how the ink reacts to create different effects.
Here is what we created using the Spritz & Flick Technique:
So far, so fun!
Saturday I had the opportunity to spend a few hours in a workshop learning how to use a letterpress with polymer plates. The class was offered through Irvine Fine Arts Center. I had taken an introductory workshop about a month before with a great instructor, Madeleine Zygarewicz of Panorama Press, and she was back to show us more! We worked on a Vandercook SP15 Proofing Press.
Below is the two-color bookplate I produced.
To get this image we had to prepare three separate plates. The first polymer plate held everything you see in black. The ink roller was loaded with black ink and the impression was made on the paper.
The second plate, also a polymer plate, held the image of the butterfly. For the second step, the entire machine had to be cleaned to remove the black ink, and a custom red ink had to be created. The previous black impression and the new plate with the butterfly had to be aligned so that it would print in the correct place, involving a lot of measuring and securing the plate in the correct position.
Finally, the type is added, a very involved process that included selecting and setting a typeface and setting the name. No cleaning was necessary this time as the name was the same color as the butterfly. The third impression was made and the paper was cut.
I’m Lisa, and this is my first post on my new blog, Live2Color. I’m excited to be sharing what I’m working on with you and hope you enjoy visiting my site.
That’s all the introduction I have, so let me talk about my latest project.
I saw a great Halloween card by Dawn Olchefske that used black embossing powder in the background and decided to try it out on my own. Her video shows the basic steps I followed for the embossing, so you can click on the link above to check that out. I used a Cuttlebug embossing folder for the frame. After embossing the card, I couldn’t just leave the frame empty, so I drew the rose and colored it in a monochrome palette using Copic markers (BV23, BV25, BV29) and then spent a little while cutting it out. The paper for the card is Neenah card stock, and the rose was colored on X-press It blending card. I used double-sided adhesive foam tape to give the rose a little depth.
I like how one leaf is falling out of the frame. What do you think? Let me know in the comments below.