Let them know how extra special they are with a tag they will want to keep. Each tag is die cut and pressed individually by hand using vintage letterpress ornament type. Paper is Crane Lettra #110, 100% cotton. Set of 5 tags come with 5 ft. of gold sparkle twine. Choose from Toy Soldier, Poinsettia or Santa. Available in the Shop for the holidays!
Oh, Christmas Tree, I love how adorable and tiny you are! I printed this using a vintage image on vintage letterpress equipment on 100% cotton paper. Can’t get better than that!
To order, visit the Shop.
Let these vintage reindeer leap into the hands of your friends and family this holiday season. Tiny and classic! Reindeers come in green, red and silver – check out the Shop for more info.
I am thrilled to debut the new imprint I designed and put to press for the letterpress creations coming out of my studio. I hope you enjoy what comes next!
Right in time for Thanksgiving I am excited to offer you my first holiday card – the tiny gilded turkey! The cards are 3.5 x 5 (envelope included) and are blank inside making them perfect to send as well wishes for the holiday or thank you to your host and/or hostess for the festive day. The turkey image is from a vintage letterpress block on my vintage letterpress machine. Each one is individually hand printed on Crane Lettra paper. You can feel the imprint of the image pressed into this lush paper, giving you pause, because this feels like something special.
Link to the store here.
We interrupt InkTober prompt words to share another inky project today. Coming soon to the Store, Scottie hello! 5×7 correspondence cards! These are printed letterpress by hand cards created in my studio.
Today we got more type cabinet doors cleaned up and was able to put away more type. I made the mistake of putting away a set of 8 pt. type after I had just put away the 18 pt. I went from a 12 mm size letter to a 5 mm size letter and I thought I was losing my eyesight! I have to admit that I had to turn on ALL the lights so that I could see what the letters were on the 8 pt. type. Can you imagine 6 pt.?
Lisa M. Payne Studio is now a full-time operation and to kick it off we worked on cleaning this wonderful old Hamilton type cabinet to get it ready to hold type again. The bottom center is what the inside of the drawer looked like before cleaning – years and years of dirt and metal bits. I don’t know if a full restoration is in its future but it is nice to get it back in working order.
I am proud to say that Lisa M. Payne Studio officially printed for the first time yesterday!
- Inserting the chase into the press
- Packing the press (where you will put each paper to be printed)
- Inking the press. Where you put ink on the disc and
- move the rollers up and down over the disc to spread out the ink which will insure the rollers are evenly covered when they roll over your type to ink it up.
- The very first printing!
- Hot off the press!
After the type has been set, the next step is to lock it in the chase, an open rectangle of steel. You lock it in by strategically surrounding it with furniture (the larger pieces of wood), reglets (the skinnier pieces of wood), and then tightening it up with the quoins. The quoins are those metal pieces above with the hole in the middle. With a key you insert in the hole, you can expand the quoin to apply the pressure that locks everything in place.
After you put the words, phrases or images together that you want to print, you need to secure it before putting it in your press. The way you do that is to build around it with these wood blocks called “furniture”. This cabinet is shaped at an angle with the shortest pieces at the top and the longest pieces at the bottom. This cabinet was made by the Hamilton company in 1937.
While I am waiting for my 100 year old type case cabinet to arrive (yay!), I am arranging one of my typefaces so that I can do some print runs. The California Job Case is a way of organizing type that was made popular by the foundries on the West Coast. The reason it became popular was that previously upper and lower case letters were stored in separate upper and lower drawers or cases, respectively. Putting the upper and lower cases together in the same tray, increased efficiency and saved time. Also, the more frequently used letters were put in easier reach of the typesetter.